2nd Year Feature: Sarah Zegree

Sarah_ZegreeDescribe your final semester as an ARAD student. This was the most unpredictable semester I had in grad school because I didn’t pursue a regular internship. I tried to get out more to experience cultural organizations I hadn’t been to yet. After submitting my thesis I felt like I could really focus on the city and getting as much out of it as I could.

Did you work on any major projects/papers this semester? Our Business Policy and Planning projects were deep dives into consulting that really helped us look at a problem and come up with a variety of ways to solve it in the real world. I also really enjoyed a “Portrait of a Leader” project from an elective class because I interviewed Rachel Goslins, a role-model of mine. She’s been an inspiration to me for the past year and a half and totally validates having more than one career.

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Alumni Conversation: Daniel Gallant

By Gina Tribotti

Daniel Gallant Nuyorican Pic
Daniel Gallant Nuyorican Pic: photo by Samira Bouaou for Epoch Times

Daniel Gallant is a theatrical producer, playwright, director, teacher, actor, and executive director of the Nuyorican Poets Cafe. Since 1973, the Cafe has operated as a multi-arts and multicultural non-profit organization, presenting poetry, music, hip hop, theater, and education events in New York City’s East Village. The Cafe’s history is chronicled in a new online exhibit from Google Cultural Institute.

Daniel has also recently been awarded a 2016 Eisenhower Fellowship for his work as an arts leader. Eisenhower Fellows travel abroad to meet with experts in their respective fields and deepen their engagement with a global network of leaders. In this interview, we speak with Daniel about the nimbleness of small organizations, the benefits of being an arts omnivore, and the delicate balancing act between artistic creation and arts management.

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Arts as a Catalyst of Social Change: an Interview with Yvonne Senouf

Be the Change
Be the Change an Inside Out Global Project. Photography Alex Kat

Yvonne Senouf (Class of 1991) has more than twenty years of experience in the art world, working in production, development, and communication. Venezuelan-born, Senouf has lived in France, Morocco, the U.S., Spain, and Greece. As a founder of Clinica Aesthetica, an experimental multidisciplinary space, she has produced more than twenty international projects. Currently based in Athens, Greece, Senouf is the co-founder and cultural producer of MELD, an interactive global art platform and collaborative catalyst that commissions, produces, and presents works of art on climate change. In 2015, MELD was nominated for the prestigious COAL Prize Art and Environment, which supports projects in contemporary art related to environmental concerns. ARAD sat down with Senouf recently to discuss ARAD, her current projects, and being an agent for social change.

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Worth the Risk: An Interview with Amanda White

Amanda White headshotAmanda White is a 2008 graduate of the Arts Administration program and member of ARAD’s inaugural Alumni Committee. She currently serves as the Managing Director of Mixed Blood Theatre Company in Minneapolis. At Mixed Blood, Amanda was the first director of the Radical Hospitality program, which provides no-cost access to all mainstage productions for any audience member, and erases economic barriers in pursuit of building a truly inclusive, global audience.

Amanda is also an actor (she holds an MFA in theatre performance) and Co-Artistic Director (of her company, DalekoArts). She has also done stints at The William Inge Center for the Arts, Lincoln Center, The Araca Group, and Theatre Development Fund.

We had five questions for Amanda, and she had answers.

Hannah Fenlon: What were some of your most formative, exciting or surprising experiences as a performer?

Amanda White: I’ve had the true privilege of lots of exciting and surprising moments as a performer, both on stage and in rehearsal. My first time on stage was at Miss Andrews’ Preschool, in a three-act play called The Silver Thread.  My family came to see it, and they brought Wesley, the little twerp red-haired 5-year-old guy who lived next door.  It was dreamlike, and I was hooked. Continue reading “Worth the Risk: An Interview with Amanda White”

The Art of Conversation: Five Questions for Moira Brennan

ARAD 2nd year student, Hannah Fenlon, chatted with Moira Brennan, Program Director of the MAP Fund, an organization which supports artists, ensembles, producers and presenters who work in the disciplines of contemporary performance. Read below for an excerpt from the original post on Creative Capital’s blog.

Moira Brennan leads a session at the Theatre Communications Group National Conference in 2010.
Moira Brennan leads a session at the Theatre Communications Group National Conference in 2010.

Moira Brennan is an arts writer and Program Director of the MAP Fund. On Monday, January 19, she will host a live, online discussion with cultural producer and performance curator Caleb Hammons. This webinar is the first performing arts edition of our Conversations Inside series. To be a part of the conversation, register here.

We had a chance to ask Moira some questions about her upcoming webinar series, in addition to a few things we just wanted her opinion on…

Hannah: Imagine you were curating a conversation with five people in the performing arts field (past or present), who would you select and why?

Moira: Come on, only 5?! Impossible! We shall convene a series of conversations, that include meals and libation, that go on forever (oh, wait, that’s what the performing arts already are!!)…

Find out who Moira picked for this hypothetical conversation here on Creative Capital’s blog!